External Celebration

This article first appeared in my Curious Squirrel Newsletter in May 2020.

Introduction

Although I could be confused about what day it is upon waking even in normal times, I’m pretty aware of what day of the week it is in general. Like everyone else, my driving schedule has little to do with work; it revolves more around grocery shopping and picking up my bread order for our local artisan boulangère. Perhaps I’m lucky that my workdays are similar to before: online instead of in-person piano lessons on Monday, Tuesday, and Thursday. Plus, working at the church on Wednesday; yes, complying with social distancing including a maximum of four people in our fairly large sanctuary!

What Week Is It?

That last part is the weird part. Wednesday afternoon would be our choir rehearsal, and I’d typically practice into the evening after eating a communal dinner. Now, my Wednesday work revolves around recording the next Sunday’s service: starting with our two or three hymns, accompanying a soloist for the offertory, concluded by playing a prelude and postlude. Sure, there’s still the practice, but practice for the next recording. I feel like I’m playing a part in a movie. While others have lost connection to the day of the week, I’ve lost connection to week of the year. I didn’t feel much during the second half of Lent or Holy Week, and I don’t feel much now during the Easter season.

External Celebration

Sure, I’m probably partly to blame, because in full confession I haven’t kept up my daily Bible reading and prayer. That inward discipleship, as much as it would be good for me, isn’t what my soul is craving. It’s external celebration. It’s shouting Hosannah on Palm Sunday, and The Lord Is Risen on Easter Sunday. It’s hearing my music director’s bad puns at choir rehearsal, and one of those occasional long reminiscences. It’s sitting at a communal dinner in Becker Hall and hearing a bit of gossip from church folks that I wouldn’t have expected!


“Inward discipleship…isn’t what my soul is craving. It’s external celebration.”


What Do You Miss?

Church has always been a big part of my life. Since age 15, it’s been about job and worship together, except during college and for a brief time when I first arrived in Arkansas. Perhaps the church isn’t big in your life, but you have some other place of celebration that you miss. It could be your workplace, choir rehearsal, or a particular eating spot where you meet your friends once a week. What is the one celebratory thing that you truly miss about your weekly routine? I’d be glad to publish them in the next newsletter, either credited or anonymously!

If you liked this article, perhaps you’d also like to subscribe to the monthly Curious Squirrel Newsletter? It’s published on or just after the first of the month, and there’s no spam on the side!

Luncheon Photo First Methodist of Bella Vista – Dec 2019
Posted 2020-05-05

Music of Worship at Westminster Abbey

Dr. Zehring reminisces about his doctoral research in London in the early 1980s.

After arriving in London, I spent eight hours a day for six straight days in a small windowless room in the bowels of the old British Library, in self-imposed isolation, sifting through 300-500-year-old books – church registers, music manuscripts, Royal warrants, anything – looking for mention of Richard Minshall, Robert Devereaux, any evidence at all that I could use to connect either one of them with the other.

After all that time, I felt I really needed a break from the writer’s cramp and eyestrain I was having, so one afternoon I thought it’d be a good idea to come out into the light and visit Westminster Abbey. Annette and I arrived just as they were about to begin their daily evensong service.

Understand that in addition to being a major tourist attraction, the Abbey continues its daily functions as a working church. When there’s a service, the vergers shoo away the tourists from the chancel and altar areas, rope it off and seat those who wish to worship in the choir stalls. Then they proceed with the service while the non-worshipers continue their tours throughout the Abbey staying outside the roped-off enclosure. So there we were, sitting as close to the director of the Westminster Abbey choir as we are to each other in our choir loft on a Sunday morning.

When the organ prelude began, there was a sudden hush in all the babble of voices and a cessation of the popping of photo flashes from the crowds that filled the outer aisles and the nave of the Abbey. This hush continued as the choir processed singing the first hymn. Once the spoken portion of the service began – the scriptures and the prayers – the hubbub resumed and continued until the choir sang the Psalms and the anthem. Then, as suddenly as it had begun, the extraneous noise of the crowds outside the chancel/altar area subsided until the anthem was over, then it ramped up again. It went on through the homily and only stopped when the recessional hymn was being sung and throughout the organ postlude. I remember saying to Annette, “That tells you something about the power of music in worship.”

The point I want to make is that whether we realize it or not, what we do as musicians in worship has a profound effect on people. Whether it’s in Westminster Abbey or the First United Methodist Church of Bella Vista, Arkansas, the music of worship has the capacity to transport people beyond the limits and confines of the ordinary and the routine and, while the music lasts, causes them to become focused on something greater than themselves, something richer and deeper than they can experience in any other circumstance.


“Music of worship has the capacity to transport people beyond the limits and confines of the ordinary and the routine.”


It also alters our perspectives as musicians. Idly humming a tuneless melody can subconsciously lighten the burden of an everyday chore, singing along with an earworm that gets stuck in our minds, working out a tricky passage in choir practice – going over it again and again – until it’s right or providing musical inspiration for our congregation as we sing our responses and anthems on a Sunday morning; it all works to lift our spirits, strengthen our faith and give glory to God. And if I might paraphrase the last word of a verse from a well-known hymn: “What a privilege to carry everything to God in song.”

I hope you’re all staying safe and happy; practicing social distancing, heeding the advice of the medical professionals and that you will, of course, keep on singing.

Dr. Lawrence (Larry) Zehring is the Music Director at First United Methodist Church of Bella Vista, Arkansas.

Photo by Σπάρτακος. Courtesy Wikimedia.
Posted 2020-04-23

Maundy Thursday Taizé

Did any of you do anything exciting or new during Lent? I did! I participated in a Maundy Thursday Taizé service, my first full-length Taizé style service ever, complete with supporting choir and soloists. If you have never worshipped in this style, try it! I’m sure we fell short in many ways compared to what is done in Taizé, the tiny town found in the Burgundy region of France. But I also think we got a lot of things right. We even had one point in the final chance where we had choir members singing in French and English simultaneously! Multilingual singing is a common occurrence among the pilgrims who flock to France from countries around the world.

I must give credit to several people: Rev. Les Oliver at Central UMC in Rogers provided me with Taizé scores and an icon for an earlier service that served as a trial run. Rev. Jeanne Williams at First UMC Bella Vista had the vision to do this, along with great ideas on how to execute it. When you are in sync with your clergy, great things can happen! Below are some pictures of the service, shared by Amy O. Fulton, and a link to the service on YouTube, posted by church Webmaster Sarah Charlsen.

The entire service is available on YouTube. I apologize that the songs were inadequately miked. There is silence near the end of the service. Although it’s an important part of the actual experience, you may wish to skip it.

Maundy Thursday Taizé worked for us. Have you experienced Taizé? Would you be interested in trying this in your church?

The church is covered by OneLicense #727609-A and CCLI License #2918235. All rights reserved.

Silence During Taizé
Silence During Taizé

The Taizé Altar
The Taizé Altar

Posted 2018-04-11