Last Updated on 2020-12-30 | Originally Posted on 2019-11-15
Six of my students from Shepherd Music School and one of my private students participated in the annual Sonatina Celebration held at NorthWest Arkansas Community College (NWACC) on November 9, 2019. I didn’t post on last year’s festival, but you can read my first go-round at the Sonatina Celebration in 2017. The group sponsoring this, the NW Arkansas Music Teachers Association, is a local affiliate of the National Music Teachers Association (MTNA). This particular festival was started by the group in 1995 to give students an additional chance to perform with no other testing included.
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I was asked much earlier in my career if I’d ever taught a continuing education class for church, or whether I’d consider doing so. Up to that point, I’d never done it, but I was open to the idea. The possibility has since then intrigued me, but until recently I hadn’t put together a plan. Now that a date is on the calendar, October 16th, it’s becoming real. I’m teaching a class in sacred music at church!
The course is based upon the book Te Deum: The Church and Music by Paul Westermeyer. I became familiar with Dr. Westermeyer through his work with the American Guild of Organists, and was impressed that an ordained Lutheran pastor would spend so much time associating with organists! He has spent his career steeped in teaching both seminarians and church musicians, so this book has an interdisciplinary approach.
I warn that the text has a scholarly bent, which is probably no surprise given the scope of the topic. For those who wish to take this journey with me, there will be quite a lot of reading involved, though I’ll parcel it off to make it manageable. As a reward, you will receive musical samples from each period to illuminate the weekly readings.
As the title of my post hints, the first five weeks will be covering just a portion of the history of sacred music. A continuation of this class will continue the exploration, beginning at the Reformation and continuing through modern times. In this session, we’ll cover music in Old and New Testament times, the First Centuries, and Before and After Charlemagne. I realize that this period may not be glamorous to some, but hopefully you’ll join me anyway. For those who are curious about what exactly is covered in later on – yes, there is a section on the Wesleys! Even a Lutheran like Westermeyer knows it’s best not to omit John and Charles!
Last Updated on 2022-11-15 | Originally Posted on 2019-07-11
July 3, 2019 just wasn’t my day. I was having trouble getting the things done that I planned. My tendency is to try to do to much right before leaving for a vacation, even one lasting just a couple of days. I needed to complete the list that included doing the dishes, house cleaning, laundry, and mailing a birthday present to a friend in France. As a result, I ran out of time to salvage driving to Kansas City to see the Royals play and enjoy a fireworks show at Kauffman Stadium afterward.
Four of my students from the Shepherd Music School participated in the semester-end recitals, Spring 2019 Finale. Their pictures are below. A couple of brand new students who are very young did not participate, and my two adult students also chose to sit this one out.
New Wrinkle: House Recitals!
I also tried something new this time: house recitals. Since I teach several in-home students who aren’t affiliated with Shepherd, I have to find opportunities for them to play. I often just do in-home recitals just for them, in lieu of a lesson. However, I also like for all of my students to get to know each other, regardless of where they are enrolled.
Figuring out how to do this seemed pretty obvious. Most of my students live in one of three areas. And there are about an equal number of students in each geography. I already had an invitation to check out the spinet piano one of my families had just gotten their daughter, so some of the planning already took care of itself.
At a Church
The first house recital was held not at someone’s home but at a house of God. It was at the church where Shepherd is based since none of the piano parents volunteered their home for the event. The three participants played the beautiful Baldwin grand piano in the sanctuary that is typically off-limits. My most advanced student got the chance to make a mini-recital debut playing much of the repertoire he learned over the semester. One of my adult students also participated, since she felt more comfortable in this small group setting versus the very busy Shepherd recitals.
At a Home
The second group was the one where I was invited to visit the newly-acquired spinet. There were extra adults and kids there in addition to the piano parents and student participating. I played to conclude the recital, as I did in the first event. When it was all over, the kids went into the backyard to bounce on the trampoline, and the adults enjoyed conversation in the living room. Although the goal to play was met in both cases, I much preferred the fun atmosphere of the second recital. This type of recital really benefits from being held in a home environment.
At the Emergency Room
The third group was for a single family with three students that lives a distance from the other two groups. Unfortunately, it was canceled due to a medical emergency that occurred just before I arrived. One learns to roll with the punches!
Last Updated 2019-09-25 | Originally Posted 2018-06-14
I participated in the Arkansas State Music Teachers Association (ASMTA) regional festival again this spring. I had four students enrolled, the same as last year. Two of those were continuing students; two were new students. This event was held on Saturday, April 6th, in the music building at the University of Arkansas in Fayetteville. I didn’t sleep well and woke up before 6 a.m. since I was petrified by the possibility that I could oversleep. I was scheduled to do musicianship testing, which took the entire morning after my 8 a.m. arrival.
I was able to get pictures of 3 out of my 4 students. That’s because I insisted they stop by my testing room before they left. All of them received a Superior rating of 1, but one did better than that by securing a 1+ as the first alternate to the winner for her level. My studio did a lot better this year in supplemental testing as well, with several certificates awarded for scores of 90 or better in musicianship and written theory.
It is always interesting to compare notes with teachers in the break room during lunch. We discussed the surprises and disappointments of the day, and traded stories about what else is going on in our lives, musical or otherwise. As you can imagine, this event only happens due to the hard work of several volunteers over weeks and months before the event; my helping out on the day of the event doesn’t compare to that! My thanks to them!
Four of my students from the Shepherd Music School participated in the year-end recitals. Two made their recital debut; the other two are becoming old pros performing in public.
Since all of the parents have given me consent to post their children’s photos, I have included them in the photo carousel below. I’m really proud of them all, and am excited to hear how they grow over the coming semester.
All of my students have plenty of chances to perform publicly. In this past semester, we had a Halloween performance party and played for the residents at a local retirement community. For those participating in the Sonatina Festival, there was a warm-up recital in Springdale prior to the event itself.
My private students do miss out on the school recitals, but we often have in-home recitals instead. It’s a more intimate chance to perform for their family and friends.
I participated in the Arkansas State Music Teachers Association (ASMTA) regional state festival for the first time this spring. I’ve now lived through a full-year cycle of teaching which included the Northwest Arkansas Music Teachers Association (NAMTA) Sonatina Festival last fall. This event was held on Saturday, April 14th, in the music building at the University of Arkansas in Fayetteville. From the moment I arrived, some minutes before 8 a.m., the halls were filled with kids and their parents. My four students were scheduled later in the day, and I managed to see all of them at some point during the day.
However, the experiences were extremely different. The Sonatina Festival is solely a performance-based event, with none of the theory, technique, sight reading, and ear training that are a key part of the state event. However, the regional state festival is very worthwhile to the students who participate. But it is not for the recreational piano student. There is a lot of work required to prepare a memorized program in addition to doing the musicianship and theory work that is tested separately.
The good news is that all my kids played well. All of them scored in the superior range. In fact, one of my students did well enough to be considered as an alternate to go to the state finals! As for the other testing, there were mixed results. Two of the kids did pretty well, one did okay, and another, well, missed the boat as the expression goes.
Due to the nature of the festival, where each student tests and plays at different times, I wasn’t able to get a group photo. However, below is a picture of their ribbons, placed on top of a blank certificate. I am grateful to the committee who lost a lot of sleep doing the advanced planning. Many of my fellow NAMTA teachers donated their entire Saturday to run the festival. As always, they were very generous sharing their teaching insights with me. Finally, thanks to the parents and kids without whom there would be no point to any of this!
Two of my students from the Shepherd Music School participated in the annual Sonatina Festival held at NorthWest Arkansas Community College (NWACC) on November 11, 2017. The group sponsoring this, the NW Arkansas Music Teachers Association, is a local affiliate of the Arkansas State and National Music Teachers Association.
Each of the students must perform a piece with Sonatina or Sonata in the title and must perform two contrasting movements by memory unless the piece is of significant complexity, in which case only one movement is required. Since this is essentially a public performance, with parents, teachers, and a judge in the audience, even the most confident kids will admit to being a little nervous at first. However, it helps that the end goal is not competition, but to play the best possible since everyone has the possibility to attain the highest ribbon and score.
Below are those students, playing a four-hand arrangement at a piano lesson, who earned the red ribbon (excellent) and the blue ribbon (superior).
Please Note: A version of this article was first posted on the Shepherd Music School Website
Last Updated 2018-02-19 | Originally Posted 2017-12-17