Hello Chopin Waltzes

Last Updated on 2022-11-28 | Originally Posted on 2020-02-06

Introduction

I just kicked off the fourth year of offering classical piano repertoire to conclude worship at First Methodist of Bella Vista. Piano Postludes happens every three months, during the months of February, May, August, and November. For four weeks during each of those months I play pieces according to a common theme. You can get a feel for what I’ve done in past years of Piano Postludes, but this year it’s all about Chopin! As in, Hello Chopin Waltzes! All 17 of them.

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Auf Wiedersehen Bach WTC Book One

Last Updated on 2023-01-22 | Originally Posted on 2019-11-24

Introduction

I’m sure that the majority of the congregation where I work in Bella Vista, Arkansas, are not even aware of this occasion. On February 4, 2018, I played the First Prelude and Fugue in C Major from the Well-Tempered Clavier, Book One, by J.S. Bach at First Methodist. The prelude has been quoted by other composers through the centuries, including Charles Gounod in his setting of the Ave Maria. Today I complete that journey with the Twenty-Fourth Prelude and Fugue in B minor. It’s my way to say Auf Wiedersehen Bach WTC Book One!

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Music Apps for Beginners (and Beyond)

Summary

Last summer, I committed to testing a bunch of music apps that I could recommend to my students. The result of that work is in this post. It took about a year to discover that I only consistently recommended two applications, plus a metronome app for those who didn’t have a separate metronome.

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Summer Project – Music Apps Review

Summary

This post, Summer Project – Music Apps Review, is the first in a three-part series under the category of Piano Teaching. The inspiration for trying out apps came from a Music Teachers National Association (MTNA) Webinar titled Fresh Approaches to Old-School Teaching, presented by Peter Oehrtman. I also poured over an extensive list of app recommendations by Tim Topham of the Inner Circle.

I did the first round of testing with free apps, or paid apps where I chose the free option. I was hugely disappointed, but it proves the saying: You get what you pay for. The second round of testing went much better, since I bought most of the apps. With just a couple of exceptions, I found that I couldn’t fairly evaluate paid apps just by using the free version, since their functionality was so stripped down.

I publish this list of recommendations (and not) by how useful I find them in my teaching practice. I did find some real duds. But more prevalent was that the apps didn’t seem to offer enough to me or to my students, or had expensive monthly fees versus a one-time price. All of the apps tested were tested just on an iPad, since iOS is the preferred platform for music app developers, and that is what I happen to own! Some of these apps should also be available for iPhone or Android phones/tablets, but that’s beyond the scope of my testing.

Recommended

Note Rush: Music Reading Game

Flashcard drilling using your piano/keyboard to verify the notes.

Price: $3.99

I find Note Rush a lot of fun to play myself, so I’m betting it will be a hit with my students. The app uses the device microphone to identify pitches, and it worked perfectly with my acoustic piano. It’s pretty easy to use, and it’s the type of app that you can use at different stages of your learning. It has the benefit of being fun as stress relief while at the same time helping reading skills. If you only want to buy one app, this is the one. It’s worth every penny!

Rhythm Lab

Rhythm drilling, using either one or two hand tapping on the screen.

Price: $3.99

This is a super fun app, though I don’t think it’s as essential as Note Rush. If you naturally play with good rhythm already, it’s not going to help you a tremendous amount. If you do struggle with playing in time, and are not self-aware about stopping at bar lines or at the end of difficult rhythmic patterns, this could be your app. The interface is a bit complex and the varying applause at the end of each exercise is a bit annoying, but those are just minor irritations.

NoteStar – Shutting Down 2019-03-31

A multi-function music reading app with lots of great music, with a pay-as-you-go model.

Price: FREE with in-app purchases

Here’s a case where the free version can be somewhat fun, or at least indicative of what the paid version will be like. Once you choose your song, sheet music rolls across the screen so you can play along. On songs that are more traditional classical repertoire, you can turn off either or both the left and right hands. On songs that are more pop music, the choice is to turn off either or both the keyboard or backing track. In all cases, you get a 30-second preview, with no pressure to buy the song once it finishes. The price per song is a reasonable $1.99 to $3.99.

Recommended with Hesitation

Super Metronome Groove Box

A more fun type of metronome with different instruments, beats, compound meter.

Price: $6.99

The free version was just awful, since the app times out after playing just 16 measures. The paid version is solid, it can be a lot of fun if it appeals to you. Try it out at a lesson, and see whether you like it, and will use it. There’s always the cheaper Tempo app, the free Metronome app from Onyx Apps, or no app at all. I know I’m a fuddy-duddy, but should you really be using a $400 iPad for a job that a $25 metronome can handle?!

Tempo – Metronome with Setlist

A more straightforward metronome app with bells and whistles not found on a traditional metronome.

Price: $2.99

This app reminds me of what was available on the deluxe version of Seiko or Korg metronomes. I never found those features to be that helpful, preferring either a simple Seiko $25 metronome or an old-fashioned Wittner Taktell. While some may find this useful, I’d almost say you should commit to the fun Super Metronome Groove Box instead if you want a metronome alternative.

Not Recommended

Piano Maestro

A comprehensive teacher/student app for teaching various skills.

Price: Free with in-app purchases

This is an app that is intended to be managed by the teacher, with assignments sent by the teacher to students based upon email address. The student work is then updated to the teacher’s dashboard. I love the idea, but I don’t love that the paid version is either $12.99 or $19.99 per month, depending upon whether the teacher buys a site-license covering the students (more expensive) or asks each student to buy their own client app (less expensive). There is lots of value in the free version, but I fear becoming attached to the app, and inevitably facing the wall where both the students and I have to invest in the paid version to continue. I’d just rather not go there. Still installed – I’m willing to try it with a student, if she is willing, to see if I’m wrong.

Simply Piano by JoyTunes

A play along service that combines the features of Note Rush and NoteStar.

Price: Free with in-app purchases

The premise of this app is great! You get tons of material (Bruno Mars, Katy Perry, Taylor Swift) at the beginning to mid-intermediate level, similar to the à la carte app NoteStar. You are evaluated by how well you play along similar to Note Rush. All in one app. What’s not to love you ask? The price! Any of the fun stuff you want to do, including the songs, requires a yearly subscription, with the cheapest monthly option being $9.99 per month with 12 months paid in advance! It may be the best app in the world, but I’ll never know. I’m not willing to chance a short one-week trial period expires and a $119.99 charge appears on my credit card bill without getting a chance to test the app. Uninstalled.

Garage Band

I honestly don’t know how to describe it.

Price: Free

So, what do you do with it? It is a super complex program! I thought this was supposed to have some type of teaching purpose, but I couldn’t find what that is. It seems to be a powerful program for audio recording and editing, and all of it is free. But that still leads me back to my original question! Uninstalled.

ScaleTracks

An app that aids with practicing scales.

Price: Free with in-app purchases

Really, really hokey. If someone hates scales already, this app could make them hate them even more! Uninstalled before all of the others!

Last Updated 2019-02-27 | Originally Posted on 2018-05-22

Bitten by the Bach Bug

This winter, I have not suffered any type of cold or flu that is going around.

However, I have been bitten by another bug, that of the long-dead composer, J.S. Bach. How it started was rather random: I was reading an article on the NY Times Website about András Schiff, the Hungarian/British pianist whom I first saw perform at Tanglewood when I was a teenager. The article mentioned how Schiff had recently played the entire Bach Well-Tempered Clavier, Book One, a set of 24 preludes and fugues written in every major and minor key.

Typically, these types of performances are done in small spaces and often on period instruments, attended by a small cadre of dedicated fans of early music. This performance was opposite in almost every way: the performance was at the London Proms Festival, held in cavernous Royal Albert Hall, which has over 5200 seats. The piano was a modern Steinway Model D. More impressive, the performance of just under two hours was by memory and without intermission.

As a young piano student, I had to learn a few of these pieces to satisfy requirements for music school auditions, juries, and degree recitals. But they were never fun! The organ seems to be the perfect instrument for Bach, where the pedalboard can help out when there’s just too much to play in two hands. Comparing the organ, an already mature instrument, to the various keyboards of the time isn’t fair. However, after hearing Schiff play these pieces, I decided it was me who needed the second chance!

So, I decided to learn the entire volume of Book One as well, though in my own way, at my own speed. I will play the first four preludes and fugues as piano postludes at church during the month of February and add several more every few months until I finish sometime in 2019. At first, they won’t be memorized, and I’m not even committing to ever perform them as an entire set memorized. It’s about the journey, not the destination. So far, as I work through the fourth prelude and fugue in C# minor, a particularly difficult one, it’s going a lot better than it did 30 years ago!

Update: If you’d like to see how the project ended, read my Auf Wiedersehen Bach WTC Book One blog post.

Last Updated 2020-01-12 | Originally Posted 2018-02-02