It’s said that you can’t officially call something an annual event until you do it at least twice. With that, let me present a summary of our Second Annual Halloween Piano Party. We always seem to have some type of drama before starting. Last year, we couldn’t get into the building because the door code didn’t work. This year, the code worked perfectly! However, I left my footprints behind – literally – in the floor wax as a contractor was working off hours. I didn’t have another way to get in the building, but that didn’t make the contractor any happier with me. Oh well!
We had really good attendance this year! Most of the participants were playing their sonatinas under pressure for the first time. We held this event three weeks ahead of the November Sonatina Celebration. The composers represented included Lynn Freeman Olson, Muzio Clementi, and Anton Diabelli. The pianists could perform in costume, so it wasn’t all that serious. However, the ringmaster below took his costumer as serious as his playing!
This ringmaster means business, on and off the piano bench!
Everyone got a chance to play something fun after the sonatinas were presented. There were some favorite pieces from method books, a Bossa Nova that’s being worked up to audition for a jazz workshop, and a piece by contemporary composer Andrea Dow.
As a reward for the great playing, I distributed some candy bars, Belgian chocolates from Aldi, and Red Delicious apples. Surprisingly, the apples were really popular! And thus, the Halloween Piano Party 2019 came to a close. Sorry, I have no candy left to share, but I can share some pictures. Enjoy!
We had a lot of fun at the Halloween Performance Party, but not all of it was scheduled. Samuel the Squirrel didn’t appear as he did during my recital at the church two weeks ago. This time, we couldn’t get into the building; the code for the keypad didn’t work. Luckily, the custodian saw me and let me in the building. One of my students came up to me to let me know that there was a stranger in our performance space. It turned out to be one of my students in disguise as Napoleon Dynamite!
Although it was disappointing that only 4 of 12 students showed up, which included some last-minute cancellations and no-shows, we had a good time anyway. The Sonatina Festival participants went first. This was the first time they were performing their newly memorized pieces in front of an audience. When it comes to performing from memory, I find that a couple of warm-ups really help to work out the nerves and the memory issues. It’s better to mess up in front of one’s fellow students before going into the formal warm-up where they will be grouped together with students of the other participating teachers.
After we finished the Sonatina Festival performances, it was time for anything but sonatinas! My adult student played a Christmas Carol and a repertoire piece, one of the festival participants played a Burgmüller study, and I played the Halloween-appropriate Funeral March for a Marionette by Gounod. This ended the playing portion of the party, though I had a lot of candy still left to give out. It was composer trivia time!
Each of the students gets a subscription to Piano Explorer magazine, which I think of as the piano version of the children’s magazine Highlights. Each month a composer is featured, with Schubert and Scarlatti being the most recent ones. There is even a quiz at the end of each issue, which is where I found many of the questions I asked. Turns out the kids hadn’t done their reading. Worse, according to one student, Schubert composed in New York City. At that point, the parents cashed in! They answered pretty much all of the questions, despite my giving some very generous clues. The kids were happy that there was enough candy left for them to take at the end. For me, it’s good to know that I have to do a better job of follow-up and to set the scene for what a composer’s life was like once-upon-a-time!
Here is a picture from the party, which I almost forgot to take since I was having too much fun. And, to be honest, I was still trying to figure out how Schubert made it to New York from Vienna!
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