Playing Dupré

Last Updated on 2022-11-27 | Originally Posted on 2020-07-27

Introduction

Playing Dupré is quite difficult. He had the proverbial silver spoon in his mouth from birth, at least in a musical sense. His father Albert was an organist in Rouen and good friends with iconic organ builder Aristide Cavaillé-Coll. The latter built a house organ for the Dupré family when Marcel was 14. He certainly must have used it, since by the time he was 18 he was studying at the Conservatoire de Paris with three organists/composers of historical importance: Alexandre Guilmant, Louis Vierne, and Charles-Marie Widor. Any musician would be lucky to study with just one of these gods.

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Auf Wiedersehen Bach WTC Book One

Last Updated on 2023-01-22 | Originally Posted on 2019-11-24

Introduction

I’m sure that the majority of the congregation where I work in Bella Vista, Arkansas, are not even aware of this occasion. On February 4, 2018, I played the First Prelude and Fugue in C Major from the Well-Tempered Clavier, Book One, by J.S. Bach at First Methodist. The prelude has been quoted by other composers through the centuries, including Charles Gounod in his setting of the Ave Maria. Today I complete that journey with the Twenty-Fourth Prelude and Fugue in B minor. It’s my way to say Auf Wiedersehen Bach WTC Book One!

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Christmas 2018 Organ Recital

Last Updated on 2022-11-27 | Originally Posted on 2018-11-25

Introduction

I was really nervous but excited about my upcoming organ recital, when I was in full swing of practice at the beginning of December 2018. I had 29 guests for my last short organ recital. I was really pleased to have a mix of people attend from all three morning services, as well as guests who heard about the program via a listing in the local newspaper.

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Bach Reaches Audience

It took me a long time to program Bach on a sufficient basis during Sunday worship. At the first job where I was organist and choir director, I avoided playing him altogether. I feared people would not connect. At the next job, I played some Bach, but not a lot. At my current position, where I’ve been since 2012, I’ve fully embraced him. I challenged myself to play the entire Orgelbüchlein, as Bach intended, from Advent to the end of the Christian year. It was extremely meaningful to me, though rarely did anyone make a comment. Bach reaches audience? Not so much!

Now, I’ve moved over to the piano, and am one-third of the way through Book One of the Well-Tempered Clavier. And it’s going pretty well! I wasn’t surprised to hear feedback at the beginning of the cycle. It’s a big project, and the first Prelude and Fugue are pretty well known. However, I didn’t expect comments on the fifth, even though it’s one of my absolute favorites. Or the seventh, which is unusual in almost every way, and certainly not a piece I’m yet comfortable playing. But I do hear comments each week!

The comments are all over the place, as you would expect from people who are mostly hearing these pieces for the first time. But the fact that there is buzz, and that people are sitting through the performances, is enough to make me smile. They are connecting to pieces written nearly 300 years ago, when the piano was still in its infancy, and many other instruments were still evolving as well. I think with great music, people know innately that it’s special. I’m just glad to be the tour guide during this two-year journey.

I’m sure there are some folks who don’t connect at all to these pieces. Hopefully, something else that I’m currently offering, or played in the past, has been meaningful to them. My philosophy is to offer a concentrated yet varied program of the best music that I can learn and perform. Music can provide deep personal meaning to so many lives, including those who I may never get to know other than a passing Sunday morning greeting.

Posted 2018-08-27

Bitten by the Bach Bug

This winter, I have not suffered any type of cold or flu that is going around.

However, I have been bitten by another bug, that of the long-dead composer, J.S. Bach. How it started was rather random: I was reading an article on the NY Times Website about András Schiff, the Hungarian/British pianist whom I first saw perform at Tanglewood when I was a teenager. The article mentioned how Schiff had recently played the entire Bach Well-Tempered Clavier, Book One, a set of 24 preludes and fugues written in every major and minor key.

Typically, these types of performances are done in small spaces and often on period instruments, attended by a small cadre of dedicated fans of early music. This performance was opposite in almost every way: the performance was at the London Proms Festival, held in cavernous Royal Albert Hall, which has over 5200 seats. The piano was a modern Steinway Model D. More impressive, the performance of just under two hours was by memory and without intermission.

As a young piano student, I had to learn a few of these pieces to satisfy requirements for music school auditions, juries, and degree recitals. But they were never fun! The organ seems to be the perfect instrument for Bach, where the pedalboard can help out when there’s just too much to play in two hands. Comparing the organ, an already mature instrument, to the various keyboards of the time isn’t fair. However, after hearing Schiff play these pieces, I decided it was me who needed the second chance!

So, I decided to learn the entire volume of Book One as well, though in my own way, at my own speed. I will play the first four preludes and fugues as piano postludes at church during the month of February and add several more every few months until I finish sometime in 2019. At first, they won’t be memorized, and I’m not even committing to ever perform them as an entire set memorized. It’s about the journey, not the destination. So far, as I work through the fourth prelude and fugue in C# minor, a particularly difficult one, it’s going a lot better than it did 30 years ago!

Update: If you’d like to see how the project ended, read my Auf Wiedersehen Bach WTC Book One blog post.

Last Updated 2020-01-12 | Originally Posted 2018-02-02