I’m often asked my advice about what piano someone should get. However, my advice is not often followed, since I’m providing an answer from a lifetime of musicianship and not one supporting a desire to save money or buy a so-called maintenance-free instrument. So how could I possibly make more of a dent, to get someone to try to think differently? Listen to the piano.
Since I perform quite a bit, I play a variety of instruments. Most of them are acoustic instruments, but there are occasions when they are not. I played for a birthday party earlier this year where I was provided with a very short 61-key electronic keyboard, without damper pedal.
However, I can’t say that I’ve ever played any keyboard without thinking it’s a compromise. I’m not talking about this from a purist or snobbish viewpoint, though I certainly could do so. Listen to the piano. How does it sound? To me, there’s
Listen to the piano. I was scrolling through Instagram posts one morning, and came across a pianist whom I know only through an interview on a subscription site to which I belong. She often posts students playing her old American-made grand piano that has a sound that could only come from that instrument. Between the moving parts of hammers and strings and the fixed ones like the iron and wood, each piano has a story to tell, if you just listen. I’m still amazed that my tiny Knabe spinet, so old that it has ivory key covers, speaks so beautifully. There are compromises made when building such tiny pianos, but they can still sing and inspire.
So that’s how I’m going to start when I’m next asked this question. Perhaps my advice will go unheeded. But maybe he will listen to the piano. And who knows? That might make all the difference!